Lord of the Rings Strat: “One does not simply ROCK into Mordor…”

This is the excerpt for your very first post.

This guitar was commissioned for my best friend’s brother (by his fiancee). She was able to sneak his old Squire Strat away so that I could revamp it. I had previously created a Middle Earth map on an electric bass for my friend (his brother).

This was a matter of repainting and refinishing the body; I don’t think I replaced hardware or messed with the electronics. The concept I eventually came up with was Sam and Frodo walking into Mordor, looking across the plains of Gorgoroth at Mount Doom, with Barad Dur and Sauron looming in the distance. Some Nazgul fly above and Gollum sits on a rocky outcrop waiting for the right chance to strike. I did some 3D carving that was enhanced by later painting; I etched the entire script from the Ring around the perimeter of the guitar. I airbrushed the sky and plains.

For the peghead, I did a relief carving of an eagle fighting with a fell beast. Around the perimeter I wrote the Dwarvish text from the Lonely Mountain map in the Hobbit. (Not completely appropriate for the scene, but it looks good.)

In addition, I ordered some “Eye of Sauron” eyes on eBay to make custom knobs with some cut down Strat knobs and Sculpey. Finally, I inscribed Tolkein’s symbol at the 12th fret.

World War II / Pearl Harbor Electric Guitar UPDATED

My Dad saw my original WWII/Pearl Harbor guitar and thought the Japanese Imperial Flag pickguard was a detractor; while cosmetically and aesthetically it’s cool, anyone with actual ties to the war and the era could be offended by its presence and prominence.

So, I fabricated another pickguard out of aluminum. Some snips, a hammer, my Dremel for engraving, some drilling, hardware, paint, and finish with a new pick guard tribute to USS Arizona and the lives lost onboard.

Boba Fett Custom Strat

This is the excerpt for your very first post.

I bought a used Strat copy body and neck that I found in a pawn shop. It was to become another Star Wars guitar.

Strats can be beautiful, but the design (though ergonomic) can be a little boring. I love seeing Strats with custom paint jobs, exotic wood, custom pickguard appointments, even just abuse and damage. So, I took this knock-off and got to work.

I hand carved / hand painted all of the features on this guitar. To the best of my knowledge, this guitar has a solid basswood body with a veneer of something denser on the top and bottom. This is actually a great idea – basswood has become a popular tonewood, but it is soft; the denser wood helps protect it. The neck was strange; it appears to be some relative of mahogany. The fingerboard is rosewood.

Here are the specs for the guitar:

*Basswood body
*Mahogany neck
*Rosewood fingerboard
*Locking Fender tuners
*String Saver Saddles
*Active EMG SA pickups ($200+ on eBay)- These are so cool and easy to install. Great clean sound.
*Interior shielding
*Custom artwork
*Basswood carved additions
*Blocked tremelo for increased sustain (as seen on Clapton’s guitars)
*Braided Wookie scalps to hang off strap pin
* Behlen stringed instrument lacquer finish
*Gold Mother of Pearl inlays

Details to look for on the guitar: Boba Fett’s 3d helmet, 3d jetpack rocket, 3d wrist gauntlet launcher, pickguard with Han Solo in Carbonite and Mandalorian symbol, backplate with Mandalorian symbol, Slave 1 ship schematic, simulated blaster wear / battle damage, “Fett-der” locking tuners (that’s what the “F” stands for, right?), BOBA FETT STRAT-1 metallic waterslide decal, ship console control knobs, and real leather belt.

Hear and see the guitar in action here:

Lord of the Rings – Middle Earth Map Electric Bass

I made this bass for my best friend.

I painstakingly painted the map from visual references. It would be more accurate had I projected it onto the surface, but I did it freehand instead- not to be some kind of art hero, but because I didn’t have a decent projector handy. I do the best with what I’ve got.

The process was simply repainting the body.  I used a tan / beige base color for the body, then dry-brushed leathery highlights on to make it more “mappish.” Afterward, the day-long process of painting the map on began (literally spending a whole day sitting and painting. Actually, it was pretty great).

Later on, I decided to spice up the peghead. I did a relief carving of Treebeard and the Ents attacking Orthanc. It’s painted in a black gloss resembling Orthanc’s exterior.

I thought about buying Lothlorien Leaf clasps to pin on a custom leather strap, but I haven’t gotten to that part yet. Maybe for Christmas…

(See the LOTR-themed guitar I made for his brother.)

Looking Back: The Original Millenium Falcon Electric Guitar

A few years ago I saw a picture online. It was a Bass guitar neck stuck on a vintage Star Wars Millenium Falcon playset. I looked at it and saw the challenge posted below the image – daring someone to build a functional version. I decided to do it.

After gathering the parts, it took a few weekends to put everything together. As this was one of the first major guitar projects I had done in a while, my wife became acquainted with “the mad scientist.” The guitar was built with a low budget just to see if something reasonably playable could be made. I opted for a single. coil-sized humbucker for best sound quality and the least “damage” to the Falcon itself. I even installed super bright LEDs in the hyperdrive (and on the front mandibles) to really capture the Falcon’s essence and gave it a movie-accurate paint job.

The peghead of the guitar featured a “light speed” paint motif with a Micro Machines Millenium Falcon serving as the truss rod cover.

It has been a few years, and I’m suddenly realizing I didn’t actually put the guitar in my guitar blog. After Cole Stryker posted the original photos on http://www.Urlesque.com things really took off… unexpectedly too. I was interviewed on live TV in California.


…and I’ve seen a number of awesome Falcon guitars that followed. I remember – there was one guy criticizing mine because it had 1 pickup. He had more than one, so he claimed it was clearly superior; his guitar also had Falcon parts like the radar dish glued on where they didn’t belong, no paint job, no lights; functional, but no style. After that I’ve seen many that are incredible, with much higher quality parts and attention to detail, and the end result is that much better. I’ll probably do another sometime, and try to figure out how to up the ante. I still think my movie-accurate paint job holds up to the competition, at the very least.

From that point, I’ve built more guitars and gotten more exposure, not always quite as dramatic, but still fun. I hope to keep building, and hopefully to receive more commissions. Here are the original pictures, and the original (AND TERRIBLE) video I made for Urlesque.


Han Solo in Carbonite Electric Guitar

This started as pieces of maple, mahogany, and basswood and now is a guitar body.

Mr. Ben Moody (Evanescence, We Are the Fallen) owns this axe. I never ever, ever expected to have a guitar end up in the hands (or on the wall) of a professional musician or as a feature in Guitar World.  My thanks to Rich and Kelly (friends that bought the guitar for Ben)!

World War II / Pearl Harbor Electric Guitar

This is the excerpt for your very first post.

A few months ago I bought a used Epiphone Dot. I always loved this body style; the first electric I ever personally owned was a black Epiphone Casino with the Epiphone Bigsby-style tailpiece. Great looking guitar. I ended up selling it to buy my first Gretsch Nashville 6120, which I later sold. My collection has become a rotation of guitars. Moving on…

I bought this on eBay and the guitar arrived with a broken peghead thanks to some guy who likes to throw boxes somewhere in the shipping process. I’ve always wanted to learn to repair this classic mishap (because there are A LOT of awesome guitars out there with broken pegheads) and this was the ideal (and necessary) situation to work with.

I took out any removeable part, test fit the broken joint, masked off the truss rod (to protect it from being gummed up by the glue), and carefully saturated the break with high quality wood glue. On top of this, I inlayed steel supports on either side of the neck and filled the space with JB Weld steel epoxy. This neck will not be coming apart again. I will be doing a special “full metal jacket” over the back of the neck to provide even more support as well.

Anyway, I added rivets to the top of the guitar, primed, and repainted. All of the additions are to reflect a war-torn WWII / Pearl Harbor theme. You can see:

*WWII era pinups
*WWII Warhawk (shark mouth) fighter design
*”Battle damage”
*Map of Hawaiian islands
*Torn American flag
*WWII Japanese Imperial Flag pickguard
*Pearl Harbor explosion painting (based on famous photograph)
*Authentic WWII Naval dogtag on peghead (information included on this veteran)
*Authentic WWII USN pin on peghead
*Military drab paint scheme
*Black pearl knobs

The guitar has some major hardware upgrades:
*Chrome Sperzel locking tuners
*Duane Eddy style B6 Bigsby
*premium TV Jones Classic pickups
*Roller bridge for tuning stability
*1 volume, 1 tone

Electronically speaking, this guitar is the Brian Setzer Hotrod Gretsch with the addition of a tone knob.



Custom Pee Wee’s Playhouse Figures

I found an awesome vintage Pee Wee’s Playhouse set and some figures on eBay. A friend in elementary school had all of these, and I was jealous. Now’s my chance, as a grown man, to fulfill childhood wish lists.

I made a few additions to the set: the Picture Phone that can be added to the playset, the Puppet Pals brick alley (replacing the shelf that came with the playset), Chairdog, Mr. Kite, and a Captain Carl figure. Oh, the foil ball too, but that wasn’t very hard to make. Wink.

1960’s Gretsch Anniversary Model – Phrase 3: Completion

I finally finished a project that has been near and dear to my heart: this early 60s Gretsch Anniversary. If you look in prior posts you’ll see that I had bought a derelict Single Anniversary that someone had unfortunately abused severely. All the paint was stripped off; the back even showed damage from a disc sander that had been used in the process. Some bozo had spraypainted the guitar an ungodly turquoise at some point, the evidence of which was all over the interior of the guitar, completely covering the label inside (meaning I don’t know how old it actually is). I had originally done some research that pinpointed it between 1961 and 1964 based on its Rosewood fretboard. That being said, the binding and structure of the guitar were entirely intact. The neck just needed to be reset, and so, I began the process of bringing this vintage axe back to life.

To have a guitar of that age and quality in such condition was kind of freeing; I really couldn’t go wrong unless I did something completely tasteless: like a Pokemon-themed guitar, or something like that. The Anniversaries were a budget model for Gretsch anyway, so no guilt. I went with something approximating the Cadillac-inspired original paint scheme and added a waterslide decal similar to another Gretsch Anniversary (that had its neck reset as well) online. All in all, I…

1. a. Steamed out the neck
1.b. Cleaned up the old glue
1.c. Rebuilt the joint on the guitar body and neck

2. Carefully reset the neck (not a job for an amateur on any high quality guitar, but I understood the basic concepts, and again, this was in such rough shape that it was a good learning opportunity)

3. Fixed chipping and damage to the peghead

4. Filled nicks and sanding damage on the guitar

5. Reamed out the tuner holes for Sperzel Locking tuners, filled old tuner screw holes

6. Glued and clamped the peghead that was starting to split

7. Cleaned up the binding (sanding it evenly, regluing specific areas)

8. Cut a second pickup hole

9. WEIRD CHANGE: Installed brass inserts into the bottom of the fretboard end over the body. I actually drilled screwholes through the neck block (after CAREFULLY checking the interior dimensions) and bolted the neck into place. Not conventional, but I wanted to add all possible support and stability. The neck was also glued and screwed into place by the traditional method as seen on the original model.

10. At the same time as step 9, glued the neck in (hide glue *IMPORTANT… adjustable with heat) and used the original screw in the neck block.

11. Reglued heel cap and binding near the neck joint

12. WEIRD CHANGE: Older Gretsches have been studied; they’ve found “trestle bracing,” which was a unique way of supporting the top of the guitar. Two parallel pieces of wood span a portion of the top, connecting to the back of the guitar. These pieces run right underneath the ends of the bridge and were found to contribute to a better tone. In my guitar, there were two parallel pieces of wood, but they did not connect to the guitar back. I carefully fit 3 maple pieces under each brace and glued them into place. After doing this, it occurred to me that using pear wood would have been a better idea; violin makers use this wood for such purposes as it is resistant to changes in climate. If the guitar starts pushing itself apart from the inside, I’ll have a good idea why. I really don’t think it will.

12. Masked binding and primed guitar

13. Painted lighter top color

14. Masked top and painted darker back, side, and neck color

15. Dyed peghead veneer darker black

16. Relic’ed the paint job

17. Applied Vinyl sealer

18. Applied thin Behlen stringed instrument lacquer finish

19. Applied the waterslide decal with Micro Set and Micro Sol decal solutions

20.  Went through the sanding and buffing process,  boring.

21. Installed hardware

22. Installed TV Jones classic humbuckers. Electronically, this guitar is wired as a Brian Setzer Hot Rod- a 3 way switch, 1 volume, and that’s it! No tone control other than the 3 way.

23. Ordered a flame maple pickguard on eBay that was made from a Gretsch template. It was just a piece of wood cut to the shape of the standard Gretsch pickguard. I wanted to do something flashier than the original Anniversary pickguard… that green plastic thing doesn’t do anything for me. I dyed the wood a deep reddish-brown mahogany color.

24. Designed a GRETSCH waterslide decal to  go on the pickguard to make it look authentic. I paid a seller on eBay to  print the waterslide decal in gold foil and mail it to me.

25. Polyurethaned the brown pickguard. Applied the GRETSCH decal with Micro Set and Micro Sol. Then polyurethaned it again for a sleek, factory look.

26. Installed pickguard… AND DONE.

There were many steps, and the guitar is not perfect; but, it is playing, looking, and sounding MUCH better.  100% better.

See Phase One and Phase Two posts for more background on the project.